Ten Words Press Books
Articles tenwordspress.com
All books
Cover of End of the Age

End of the Age

Using Daniel as the Prophetic Framework for the Book of Revelation

A pagan emperor woke in the dark, terrified by a dream he could not remember. Daniel told him what he saw: a great statue of gold, silver, bronze, iron, and clay, and a Stone cut without hands that struck it at the feet, ground it to dust, and became a mountain that filled the whole earth.

That dream is the blueprint for the end of the age. Daniel drew it. Revelation follows it.

End of the Age reads the two books together, in seven parts. It begins with Daniel's architecture of the ages: the statue, the four kingdoms and the one that never ends, the little horn and the Ancient of Days, and the seventy sevens. The Stone is not a movement or a process. It is a Person, Messiah Himself.

From there the book locates where we stand now, in the age between the fifth and sixth seals. It shows what Messiah has already accomplished, why Satan is defeated but still dangerous, and the physical markers Scripture gives that tell us what has not yet happened.

Then it walks forward through what is still to come: the sixth seal and the sky splitting open, the sealing of the 144,000 and the great multitude, the trumpets not yet sounded and their measured judgments, the two witnesses, the woman and the dragon, the undiluted bowls, and the fall of Babylon. The Stone becomes a mountain as the Rider on the white horse returns, Satan is bound, the thousand years begin, Gog and Magog rise and fall, and the great white throne is set.

It ends where Scripture ends: a new heaven and a new earth, the Bride and the City, and the promise, "Surely I am coming quickly."

No charts built on headlines. No date-setting. Just the prophets, read in order.

Author
Charles Vance
Category
Deep Dive